Adventures in Mormonism

[UPDATED 03/03/07 - 1625 MDT]

I was wrong on one prediction below — “September Dawn” managed to break the $1 million mark for total gross to date (vs. a production budget of $11 million). However, it did nosedive in number of theaters (415, down from 872 last weekend), total gross for the 3-day weekend ($129,000 vs. $608,157, nearly an 80% drop — horrific for a movie in its 2nd weekend of release), and per theater gross for the 3-day weekend ($310/theater vs. $702/theater last weekend). Clearly, there’s no groundswell for this film. Maybe the distributors will have better luck selling the DVD.

[ORIGINAL POST]

OK, people are welcome to have their various opinions about “September Dawn” even though most critics think it’s wretched and there appear to be some real historical howlers in it. For example, from what I’ve read, there’s a sequence in which one of the characters is forced(!) to go through the temple endowment ceremony down in southern Utah, even though there were no temples down there until 20 years after the Mountain Meadows attack, and the only ‘endowment house’ in operation was hundreds of miles north, in Salt Lake City. Also, at that point, in order to attend the temple, you had to have the explicit approval of the LDS Church President (this continued until the early 20th century).

But I’ve run across this article in which the author suggests that the flood of poor reviews for “September Dawn” is due to — wait for it — quiet sabotage on the part of the LDS Church:

While the Mormon hierarchy denies any effort to directly or indirectly sabotage the film, it seems possible much of the criticism dealing with the film is derived from some common blueprint. Perhaps the suggestion is wrong — indeed, I sincerely hope that it is — but, while not being prone to embrace conspiratorial theories, I can understand those who question coincidence in matters of this nature. However, any effort to suppress speech in such a manner would not be in keeping with the thinking of friends of mine in the Mormon community. No matter how upset they might be with what they considered to be an unfair criticism of their religion, they are Americans first and Mormons second. As a consequence, they respect our freedoms, particularly freedom of expression. They would grit their teeth and let the film rise or fall on its artistic merits, secure in the knowledge that it is merely a film and their religion is more than strong enough to withstand any criticism — accurate and profound or unfair and derivative. And, again, no such criticism of the present day LDS Church was ever intended. Moreover, it concerns me that members of a great religion, such as Mormonism, may feel the need to sabotage a film in order to preserve their version of history.

The author, Ken Eliasberg, seems to seriously think that the LDS Church has somehow managed to convince critics as diverse, well-known and/or visible as Michael Medved (USA Today), Roger Ebert (Chicago Sun-Times), Dessen Thompson (Washington Post), Steve Heyden (Onion AV Club), Matt Zoeler Seitz (New York Times), Owen Gleiberman (Entertainment Weekly) and J. Hoberman (Village Voice) to give “September Dawn” the rather poor reviews it has received. Once again, I simply point people to the list at Rotten Tomatoes (which is back down to 15% “fresh” — which means 85% “rotten”).

Eliasberg’s key evidence, apparently, is his claim that several reviewers have used the term “ham-fisted”, suggesting (as per the quote above) “some common blueprint”. Eliasberg does not apparently realize that “ham-fisted” is not that uncommon a term for, well, reviews of ham-fisted movies. A Google search for [movie "ham-fisted" review] yields nearly over 100,000 hits. And they’re not all “September Dawn”.

Meanwhile, the movie itself is nose-diving at the box office, will likely be out of theaters altogether within another week or two, and may not even break the $1 million box office mark (it’s currently grossed $836,000 through Thursday). Based on the reviews I’ve read, I would say that Mr. Eliasberg got his wish that the movie “rise or fall on its artistic merits.”

I don’t mean to sound snippy, but this is, in a word, asinine. And, just possibly, ham-fisted. ..bruce..

P.S. Having written this, I’ve discovered that Carol Schutter, the co-author of the screenplay for “September Dawn”, appears to be the one making the claims of LDS Church conspiracy behind the film’s bad reviews, going so far as to issue a press release.

..Senator Larry Craig (R-Idaho) is not Mormon. Terry Mattingly, over at GetReligion.org, notes that every person he’s queried (in Washington DC) has assumed that Craig is Mormon because Craig’s from Idaho. Nope. Just sayin’. ..bruce..

Today’s Denver Post has a well-written article on the Church’s welfare system, including a focus on the cannery/bishop’s storehouse here in Denver. Excerpt:

The Mormon Church’s bounty and efficiency regularly spill over into global disaster relief.

Within two days of the 8.0-magnitude earthquake that struck Peru on Aug. 15, the church had dispatched a 747 cargo plane with emergency supplies from its headquarters in Salt Lake City.

When the 2004 tsunami hit Indonesia and surrounding areas, church leaders asked relief agencies what they needed most but couldn’t get.

The church then found a Chinese supplier that could deliver 50,000 body bags to the region within two days.

Between 1985 and 2006, the church donated cash of more than $201 million and goods of more than $705 million in disaster relief to 163 countries.

“The church doesn’t try to make a big splash,” said Lynn Southam, a member of the church’s lay clergy in Aurora and a stake president. “It just quietly gets things done.”

While a lot of people are aware that the Church uses its welfare system to care for its own, few people know of the Church’s extensive humanitarian services worldwide, almost all of which go to people who are not Mormons. ..bruce..

From Berkeley Breathed, some observations on salvation:

Click on the image to see the whole comic; I think it’s quite funny. But be sure to check out last Sunday’s Opus strip that the Washington Post thought was too offensive to run. ..bruce..

[UPDATED 09/09/07 - 0752 MDT: Someone else has noticed possible parallels between the Utah War and the US invasion of Iraq. In the meantime, "September Dawn"has now vanished entirely from Denver theaters after just two weeks.]

[UPDATED 08/30/07 - 1742 CDT: The 'Rotten Tomatoes' score has rised to 16% (from 15%), and I've noted that change below. However, estimated daily grosses for Monday through Wednesday have been $64,000, $65,000, and $54,000 respectively, still for 857 theaters, which means that each theater is getting about 10 people/day to see it. I suspect this film will lose a lot of theaters this coming weekend.]

[UPDATED 08/28/07 - 2342 CDT: I've had to revise the box office figures down even more -- all of the original weekend estimates (~$1 million, $635K, $615k) were too high.]

[UPDATED 08/27/07 - I've updated the box office figures [twice now] and made a few other edits.]

The film “September Dawn“, purporting to show the events of the horrific Mountain Meadows Massacre in 1857, appears to have crashed and burned, both with the public and with most movie critics. In limited release (857 theatres) and with heavy advertising (there was a full-page ad for it in Friday’s Rocky Mountain News), it still only managed an anemic $702/venue this past weekend, for an opening-weekend total of $601,857. Critics were not all that kind, either; the film has managed only a 16% ‘fresh’ rating at Rotten Tomatoes, while the (LDS Church-owned) Deseret News published a round-up of scathing comments by critics.

From what I can tell, the flop status is well-deserved. The director (and co-screenwriter), Christopher Cain, appears to have made the presentation so one-sided (evil Mormons!) as to induce incredulity even among film reviewers who have no reason to be sympathetic to Mormons. The polemics led Roger Ebert to state in the Chicago Sun-Times, “The Mormons are presented in no better light than Nazis and Japanese were in Hollywood’s World War II films. Wasn’t there a more thoughtful and insightful way to consider this historical event?”

Ebert’s last statement there points out the real missed opportunity. The Mountain Meadows Massacre happened and is an horrific blot on LDS history. Contrary to some claims by film critics (probably based on promotional materials from the film), the events have not been covered up until recently; the classic historical work on the subject, The Mountain Meadows Massacre, was written and published over half a century ago (1950) by Juanita Brooks, who was a BYU graduate and an active Latter-day Saint. Mormons have been wrestling with this event ever since.

In the hands of a skilled screenwriter and director, these events could have made for a very uncomfortable and thought-provoking film. Consider the historical events leading up to the massacre:

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