Mining terms from the Book of Mormon

Language Log is one of my favorite daily blog reads, and today it had among other things a post about an online “term mining” tool (Termine) that analyzes text to attempt to identify multi-word terms (e.g., technical terms) within the text. The intended target for this tools is biomedical documents (the default setting for the online tool presumes that you’re submitting such a document), but I thought it might be fun to run the Book of Mormon (1830 text) through it. I tracked down an online version of the 1830 text (with no modern versification, etc.), saved it as a text file on my hard drive, then uploaded it to the online tool (changing the POS Tagger setting to “Tree Tagger 3.1”, described as “more suited to generic text”).

The results are after the jump. The “Score” (value to the right) is not just a straight frequency count but also indicates how often the term (or portions thereof) appears in other terms, which is why you end up with fractional values for some terms. It’s explained in more detail at the website for the tool (where it’s referred as the “C-Value”).

The results are interesting, if a bit mixed. Termine obviously assumes that it is parsing modern technical English and so trips up a bit when trying to parse archaic English in the Book of Mormon. So, for example, the single most frequent ‘term’ is “thou hast” (with “thou art” coming in at #6).  Likewise, sequences such as “thy <noun>”, “o <noun>”, “<verb> ye/thou” and “art <word>” are mistakenly identified as terms and show up in the list.

(Also, for reasons that totally baffle me, in Termine’s results all the terms based on kings’ names [“King Benjamin”] have the word “king” replaced with “kingbolt” [e.g., “kingbolt benjamin”]. I have no idea why — it’s certainly not in the text — and I may contact the tool’s authors to find out what’s happening. I’ve change those back in the table below.)

There are no great surprises in the results, though there are some interesting terms high on the list.  After the top ones that you would expect — “Lord God”, “Holy Ghost” and “Jesus Christ” — comes “beloved brethren”. And the socio-political nature of the Book of Mormon is reflected in the next two top terms: “judgment seat” and “chief judge”. Interestingly, from what I can tell, “judgment seat” is used strictly as a religious term (“judgment seat of God/Christ”) by in the personal writings, sermons, and editorial comments of Nephi1, Jacob, Mormon2 and Moroni, and strictly as a political term in the sections in-between (Alma 1 through 3 Nephi 7).

A bit further down the list is “foolish traditions”, which only appears within a subsection of the book of Alma (chapters 8, 21, 30 and 31) but is used by four different groups/individuals — the people of Ammonihah, an Amalekite [probably “Amlicite”; cf. this article] living among the Lamanites, the antichrist Korihor, and the Zoramites — in describing the Christ-centered Nephite religious beliefs. Apparently, it was a popular, if short-lived, derogatory phrase among those not of or opposed to the Nephite “Church of God“. I also have to wonder if the phrase wasn’t originally used or popularized by Alma2 and the sons of King Mosiah during their rebellious phase, since all four recorded incidents of its use are aimed at Alma2 or one of the sons of Mosiah. (To be strictly accurate, Korihor uses “foolish traditions” with some other leaders, then talks about “silly traditions” to Alma2). On the other hand, the Nephites tend to refer to the traditions of the Lamanites as “incorrect” or sometimes “wicked”, so there may be a bit of tit-for-tat going on here.

Anyway, have fun! The complete table is after the jump. ..bruce..

Continue reading Mining terms from the Book of Mormon

LDS history and organization: a cautionary tale from the Catholics

Within the LDS Church, we continue to debate publicly and agonize privately over issues in LDS history (hagiography, naturalism, etc.) as well as occasionally getting our knickers in a twist over perceived or real issues in LDS leadership, both local and general. However, I think we sometimes lose perspective at just how open our history is and how self-correcting our organization is.

I write this because while doing my usual scan of the blogosphere this morning, I stumbled across a series of posts having to do with a Catholic order — the Legion of Christ — and the parallel lay organization, the Regnum Christi Movement. I claim no particular knowledge of or familiarity with either group or their respective context within the Catholic Church. But what is clear from the posting I’ve read today is that the founder of the Legion of Christ, Father Marciel Maciel, who died about a year ago and who is very much venerated by the LC and RC membership, is now acknowledged to have fathered at least one child out of wedlock (on top of earlier accusations regarding sexual abuse of young men).  This appears to be quite devastating for those who have been defending Fr. Maciel’s name for some time (mostly in light of the earlier accusations). Here are some more links to discussions on this issue: here, here, here, here and here.

I write none of this to somehow attack the Catholic Church or its beliefs; to the contrary, the Catholic Church itself appears to be doing its best to deal honestly and appropriately with these issues, which really exist in organizations outside of itself. Instead, I think there are two important lessons here for us, one in terms of LDS history, the other in terms of LDS organization.

First, the sense I get from the various postings on this subject is that Fr. Maciel was revered by LC and RC members to a degree that even the most zealous Joseph Smith fan might flinch from. To quote from the New York Times article:

In Catholic religious orders, members are taught to identify with the spirituality and values of the founder. That was taken to an extreme in the Legionaries, said the Rev. Stephen Fichter, a priest in New Jersey who left the order after 14 years.

“Father Maciel was this mythical hero who was put on a pedestal and had all the answers,” Father Fichter said. “When you become a Legionarie, you have to read every letter Father Maciel ever wrote, like 15 or 16 volumes. To hear he’s been having this double life on the side, I just don’t see how they’re going to continue.”

Of course, we’re studying writings of Joseph Smith in Priesthood and Relief Society, and the LDS Church is now putting out 30 volumes of of the Joseph Smith papers. But the recent trends in “faithful” LDS historical scholarship have almost all been towards frankness (Rough Stone Rolling, David O. McKay and the Rise of Modern Mormonism, Lengthen Your Stride: The Presidency of Spencer W. Kimball) to an extent never seen before. There has been much debate in the Bloggernacle and elsewhere about “inoculation” and openness in LDS history; I think that the issues surround Fr. Maciel suggest the need to continue that openness.

Second, for all the grousing that goes on about the “Mormon hierarchy” or, on occasion, the lay nature of most LDS leadership, I think that the host of problems and the apparent divisiveness that appear to surround the Legion of Christ and Regnum Christi, particularly in light of the new information about Fr. Maciel, underscore the danger of such ancillary priesthood orders and lay organizations. While an undergrad at BYU (1970s), I remember having a discussion with one of my professors about some friends who were starting an independent scripture study group. The professor said — half-joking, half-serious — said, “You realize that’s how most apostate groups get started, don’t you?” Those friends didn’t apostatize, but I certainly ran into my share of such groups that had while I was at BYU, both as a student and as a teacher (cf. C. S. Lewis on “the lure of the Inner Ring“).

Try this thought-experiment: imagine organizing a group independent of the LDS Church explicitly (and strictly) led by Melchizedek priesthood holders, focused on the Restoration gospel, publishing its own books and materials, training its own personnel, and carrying out specific priesthood functions parallel to and independent of the Church. (Right now, depending upon your age, you may be thinking either of the Freeman Institute or one of the many Utah-based multi-level marketing corporations, but that’s not what I’m talking about.) Now imagine a lay (or, as we would say, “auxiliary”) organization specifically for families that reports to and is guided by this group, again all operating completely independent of the LDS Church itself.

Right about now, “train wreck” may be what is passing through your mind; it’s certainly what passes through mine.

We grouse at times about the quality of teaching and leadership within the LDS Church, about the arbitrary decisions often made by bishops and stake presidents, about the uniformity imposed by the Correlation Committee, and the simplicity of the “Sunday School answers”.

Yet, I think those are all either tremendous strengths or, at worst, acceptable issues that are much better than the alternatives.  While we all at times feel a wish to remake the Church in our own likeness and image, it is not at all clear that this would be a good thing for anyone but us, and possibly not even for ourselves.  In short, the next time you’re tempted to grouse about the Church, be careful what you wish for.  ..bruce..

New approaches to modern music: “Stairway to where?

First off, major props to Ardis “Ace” Parshall, Mormon Detective and blogger at the always-excellent Keepapitchinin, for her fast and (as usual) outstanding research work. Those of you who are familiar with her work on the Great Mormon Marijuana Myth know just what historical investigation skills she can bring to bear. That said…

Back in 1967, the LDS Primary (children’s) organization sent out to LDS wards and branches everywhere the program and materials for that year’s annual Primary Sacrament meeting (thank you, Ace, for tracking this down). The theme was “Stairway to Lasting Joy”, and the materials included the sheet music for a children’s hymn by that same name, with lyrics by Mabel Gabbott and music by Robert Cundick (who was organist for the Mormon Tabernacle Choir at the time). The hymn is interesting in that it’s written in a minor key and has a lyrical feeling to it; when the hymn was added to “Sing With Me”, the LDS Church’s hymnbook for the Primary organization, it included the notation “Moderately slow, smoothly (in the style of a folk song)”.

It really is beautiful; here is Brett Raymond’s version, from his album “Primarily for Adults” (it won’t embed for some reason; click on the link below to go to YouTube):

https://youtu.be/8glAW9Ypwnw

Last Sunday, my sweet wife Sandra and I arrived early for ward choir practice, and she sat down at the piano to practice some songs (she was substituting for Primary pianist later that day). She pulled out her copy of “Sing With Me”, and I asked her to play “Stairway to Lasting Joy”, since it’s one of my all-time favorite hymns. She did, and as she did, I thought to myself, “You know, there’s something kind of familiar about that song that reminds me of something else.”

So when I got home that evening (don’t ask — it was one of Those Church Days), I pulled up iTunes and played the following song:

OK,  so “Stairway to Heaven” (written in 1970, released in 1971) is in 4/4 time (vs. 6/8 for “Stairway to Lasting Joy”), and it’s played slower, but still. In fact, you could sing “Stairway to Heaven” in 6/8 (or 3/4) time; try beating out the lyrics. In addition to the nearly-identical titles, both songs start with exactly the same words (“There’s a”). For that matter, “Stairway to Lasting Joy” contains a total of 69 unique words; of those words, 24 show up in the exact same form in “Stairway to Heaven”, while another 6 show up in variant word forms. That’s 30 out of 69 words; in other words, nearly half of the entire wordlist of “Stairway to Lasting Joy” shows up in “Stairway to Heaven”! And, of course, “Stairway to Heaven” came out just a few years after “Stairway to Lasting Joy”. That’s just too much to ask of coincidence.

My initial research has not yet established a connection between Jimmy Page and Robert Plant (the song’s composers) and the LDS Church (or, for that matter, Mabel Gabbott and Robert Cundick).  There may well have been an LDS branch in Gwynedd, Wales back in 1970, while Page and Plant were staying at Bron-Yr-Aur (and where “Stairway to Heaven” was allegedly composed).  Still, “Stairway to Lasting Joy” was included in the 1969 edition of “Sing With Me”, so that volume could well have been the source, especially given Led Zeppelin’s US tours during that time. Of course, there is the controvery as to whether “Stairway to Heaven” owes its melody to “Taurus”, but since “Taurus” was released in 1968 — after “Stairway to Lasting Joy” was sent to LDS congregations in the US and Canada — that fails to eliminate what could have been the original inspiration.

And, hey, if people are still peddling the Sidney Rigdon/Solomon Spaulding theory of the Book of Mormon’s origins, I figure this has just as much credibility, if not more.  ..bruce..

Finally: some Evangelical criticism of “Twilight”

I’m surprised how little Evangelical commentary I’ve run across about Stephenie Meyer’s Twilight novels, much less the surprisingly successful “Twilight” movie release last fall. As I wrote all the way back in November 2007,

Boy, if the evangelicals hated Harry Potter and J. K. Rowling, what will they do when they face the popularity of vampire love stories written by a Mormon for teens and tweens?

Yet — unlike the various Harry Potter denoncements and book burnings over the past several years — I’ve seen almost no press coverage or other indiciation of Evangelical fervor regarding Meyer’s work. In fact, most of the Twilight criticism I’ve run across to date has been on LDS blogs.

Well, thanks to Google News, I’ve found my first Evangelical posting on the subject. I’m sure there have been others; I just haven’t gone looking for them. What’s curious is why this is showing up on Google News right now, since it appears to have been written back in November, shortly after the release of the movie “Twilight”, and why Google News considers the website “Prophezine: Your Source for Bible Prophecy and World Events” to be a news source. But all that said, here are a few key passages:

The series commonly referred to as Twilight is about an out of place sophomore teenage girl named Bella who moves to a new town and falls in love with a handsome 108 year old, but frozen at 17, “vampire” named Edward at her school (108? with a 16yr old? would make him a pervert and pedophile but should biblical (or old-fashioned) morality get in the way of “true” love?)  The story is about their intoxicating infatuation for each other and the consequences of a lustful vampire/mortal romance.

Edward and his “coven” of vampire family are vowed “good” and “vegetarian” vampires as they only feed on animal blood rather than human blood.  Yet, Edward wants to eat Bella every time the sexual tension gets too high.  He avoids having sex with her, not on any moral grounds, but out of fear lest he eat her and cause her to become the “un-dead” like him.  But she loves him regardless and is willing to step into his “eternity” no matter the cost!

Sounds a trite story, but the shocker is that many Christians are attracted to this spiritually dysfunctional romance and worse, are attempting to give Christian applications to its demonic premise suggesting this be acceptable “Christian” discussion. Some Christian reviewers on Christian Internet sites are using the story, to initiate Bible “studies” and discussion on so-called “Christian” principles to be drawn from it. A new “Christianized” twist on demonic deception is invading Christian values!

Here would be a good place to examine exactly what a “vampire” is and ask, can Christians honestly consider it OK for teens (indeed anyone?) to crave a relationship with one? For centuries, vampires have been part of folklore and mythology, understood to be ugly, dark creatures of morbid horror, close to the dead, sometimes known as the undead for they claim eternal life and subsist by feeding on human blood, roam in darkness, avoid the light, and are enemies of the human race.

This repulsive concept was changed with the popularization of Bram Stoker’s famous 1897 novel about a fictionalized vampire Count Dracula, who was presented as an aristocrat Transylvanian nobleman.  He was imbued with supernatural powers, superhuman capabilities and a lustful passion for beautiful ladies whose blood he became addicted to. His blood sucking was two-fold – to maintain his (eternal) “life force” and eventually befall his victim with the curse of vampirism and ultimate death. No matter how resplendent the “vampire” is portrayed in mythology and fiction, in Scripture blood drinking and creatures of darkness are judged as despicable by God. Also, Scripture explains fallen spirits (“angels”) as those who deliberately chose to follow their leader Satan (Isaiah. 14) and deny their Creator God. For this choice, they are damned with eternal separation from God and an eternity in the Lake of Fire. (Rev 15.)

I would argue simply that vampires aren’t real, but I realize that the author (Caryl Matriscian) is making a point based on her own worldview. That said, there’s an unspoken subtext in this article that has interesting implications for LDS fiction. That subtext seems to be that all fiction must, implicitly or explicity, play out within the context of Evangelical Christian theology and must serve that theology.

There is often a similar issue in fiction by LDS authors: must what we write always be consistent with LDS doctrine and history, portray the Church and LDS doctrine in a positive light, and serve to lead people to Christ? This issue has been kicked around for decades; while I was an undergrad at BYU, Eugene England gave the classic talk, “Great books or true religion?“, touching on some of those same issues. The best LDS authors tend to set it aside or deal with it in unexpected ways (cf. Orson Scott Card in Ender’s Game, which indicates that one of Ender’s parents is LDS but suggests that the LDS Church, like many others, has largely been suppressed/disbanded and does not apply LDS doctrine or theology to any of the story’s events).  See also this discussion over at The Red Brick Store, which suggests using Chaim Potok’s novels about Jewish life (The Chosen, My Name is Asher Lev) as a model for Mormon literature.

But let’s get back to the article, which then paints a, well, interesting portrait of Stephenie Meyer:

A housewife named Stephenie Meyer “received” the story of Twilight in a dream on June 2, 2003.  The vision she had of a vampire and mortal as lovers compelled her to start writing the story immediately.  She says she couldn’t resist the drive to write down her dream (a similar scenario to J.K Rowlings, author of Harry Potter).  Meyer gives a summary of that first dream: “I woke up (on that June 2nd) from a very vivid dream. In my dream, two people were having an intense conversation in a meadow in the woods. One of these people was just your average girl. The other person was fantastically beautiful, sparkly, and a vampire. They were discussing the difficulties inherent in the facts that A) they were falling in love with each other while B) the vampire was particularly attracted to the scent of her blood, and was having a difficult time restraining himself from killing her immediately.”  Within three months, she had the entire novel written.  Within six-months, it had been dreamed, written, and readied for publishing.

She admits she had little to no prior writing experience with only a B.A. degree in English and had to learn from the Internet how to submit a book proposal.  She tried a few times and “miraculously” got published with a $750 thousand dollar publishing contract! Miraculous happenings have been known to come from powers of darkness, and in this case, no matter how it’s sliced, the God of the Bible would not use vampires, sexual tension, lust, boyfriend worship, and teenage romance to spread His Gospel of eternal life and salvation through Yeshua.

Meyer, a Mormon mother of three, states that some of her inspiration in writing her vampire saga came from a band of musicians called Marjorie Fair.  “For New Moon, they were absolutely essential. They can put you into a suicidal state faster than anything I know . . . Their songs really made it beautiful for me.” Also an inspiration for one of her characters was a band called My Chemical Romance.  She states, “It’s someone . . . who just wants to go out and blow things up.” See mind blowing information about the music industry and a shocking spirituality many are involved in.

Scaringly, Meyer’s fictional character Edward took on the “terrifying” form of “real” spirit when it leapt from the pages of her saga and communicated with her in a dream. She says she had an additional dream after Twilight was finished when her vampire character Edward came to visit and speak to her. The Edward who visited her in the night told her she’d got it all wrong because he DID drink human blood, and could not “live” on ONLY animal blood as she wrote in the story.  She said, “We had this conversation and he was terrifying.”

Conversation with spirits (saying they need human blood to suck!) and frightening dream visitations by spirits are part of occult communication. Meyer’s spiritual experiences could well be influenced by her Mormon faith which allows for communication with the so-called “the dead”; indeed “the dead” of former generations are baptized into Mormonism in Mormon Temple ritual. Mormon founder Joseph Smith was “visited” by a communicating “angel” called Moroni, whose statue stands atop all Mormon Temples. This fallen angel of Mormonism gave Smith messages on which he formed his Mormon doctrine about prior civilizations, none of which have been discovered despite endless archeological digs to substantiate Mormons claims. Others Mormon teachings conflict with biblical Christianity such as Mormonism’s claim that Jesus (Yeshua) of the Bible is the half-brother of Satan.  Mormons additionally believe numerous teachings about the spirits that oppose Bible truths and could help embellish Meyer’s Twilight series.

In 2007, Stephenie Meyer wrote portions of a work titled, “Prom Nights from Hell,” which is about supernatural events surrounding evil prom nights. On May 6, 2008, she released her adult novel, The Host, which is about “invading alien souls” that take over a person and get them to do what they want. This behavior is called demonic possession, a state Jesus came to set captives free from.  Meyer’s so-called fiction “crosses over” to severe occult philosophy.

What’s interesting about this article is that it really does illustrate the principle that our foundational premises profoundly shape our worldview. Almost none of the LDS commentary, positive or negative, that I’ve seen on the Twilight books or movie has raised concerns about the occult, Satan, or vampires, and I have seen no suggestions that Meyer might have been inspired by, helped by, and directed by evil spirits in writing these books. For that matter, I haven’t seen any LDS commentators suggest that Meyer was inspired by the Holy Ghost, either. Instead, we treat her as an author who came up with the concept for a book, spent the time to actually write it out, and managed to break through the various barriers to publishing to achieve success. We see her Mormonism as informing some of the symbolism and themes in the novels themselves but not as having anything to do with how she wrote the novels and got them published.

Anyway, it is worth reading Matriscian’s entire article just to pull out all of the spoken and unspoken premises that shape her portrayal and criticisms of Meyer’s work.

Plus, it’s entertaining. 🙂  ..bruce..

Intimations of humanity

Tiffany Gee Lewis has a wonderful column this morning about how kids seem to grow up overnight. Kids grow up and grow away, and we deal with that with a mixture of loss and relief (I say that as the father of nine and an empty-nester).

Years ago, when Steven Spielberg filmed Stanely Kubrick’s planned film, “AI: Artificial Intelligence” (2001), it was seen largely as a science fiction movie, and received something of a lukewarm reception. My take on the film was quite different: that is was a brilliant, painful and cautionary story about parents and children. I wrote a review to that effect which is still lodged in the eternal archives of the internet.

Reading Lewis’ column brought that review to mind, so I’ve reprinted the review below. It has spoilers, though, so if you’ve never seen the film, you may want to go watch it on your own first.

AI: A Horrific Fairy Tale for Adults [SPOILERS BELOW]

I have been fascinated by some of the sharp divisions of opinion surrounding AI as reviews (official and un-) have come out in the past few weeks. Today, my wife Sandra, our 18-year-old daughter Crystal, and I all went to see the 12:00 noon showing at the Uptown here in DC (enormous screen, great theatre). I believe that Crys was entertained but not particularly moved. Sandra and I — who between us have 9 kids from our separate prior marriages — both felt as though we had had a dentist with sharp, tiny, hand-held instruments working on our hearts for 2 1/2 hours, with pauses to let us recover, only to dig in again. Why the difference? Because we’re parents and she’s not. And therein, I think, lies much of the great divide.

AI is not hard SF. It is a cautionary horror story cum fairy tale cum myth, probably one of the best examples since Mary Shelley penned Frankenstein, or The Modern Prometheus. It takes a simple premise — what if we could teach a machine to love as a child loves, to think as a child thinks, and to want to be loved as a child is loved? — and carries it through to some excruciating, non-obvious and unflinching consequences that, I suspect, resonate primarily with parents who have had children of that age. As with Frankenstein, the core of AI involved hubris, temptation, rejection, and consequences. Hubris was the unthinking arrogance of Dr. Hobby and associates in tampering with the ecology of family and love without due regard for the unintended consequences — set, ironically, against a backdrop of melted icecaps (frankly, my first clue this wasn’t hard SF) and other unintended consequences of meddling with the physical ecology at large.

Temptation was Monica, watching her flesh-and-blood son Martin in cryonics for five years, not knowing whether a cure would ever be found for him (another fairy tale/myth motif), now being confronted with a machine, called David, that looks like a little boy, that — if and when she says the magic words — will fall eternally in love with her. Monica has a void inside which remains gaping and unhealed because of Martin’s suspension between life and death, which is what makes her temptation so real. In far too many movies and novels, the key temptation is so stupid and the consequences so obvious that I lose most or all sympathy for the character (e.g., King’s Pet Sematary). What made this movie so painful for me was how realistic I felt the temptation was. If I had one child, frozen, near death, with no clear prospect of ever having him/her back and no prospect of ever having another — yes, I might be tempted, and I think my wife even more so, to have something like David to fill that void, and we would stumble into the trap without realizing what we’ve done.

Rejection comes with the realization of the artificial, unnatural aspect of the relationship. Children grow; they mature (usually); there is always a bittersweet aspect to losing the simple, passionate love of a child, especially once they become brain-dead adolescents ;-), but one wishes children to grow and go out on their own. Kubrick/Spielberg first carefully lay out the slowly-unfolding hell of having a child-like automaton with real feelings stuck at that particular emotional age, then accelerate and compound that hell by bringing back the real child, warts and all. Can one love a machine when one’s own flesh and blood is at hand? What are our loyalties, our instincts? Martin’s and David’s reactions to each other are very believable (speaking particularly as someone who has had experience merging two sets of kids together into one family), as are frankly the different reactions to the situation between and her husband Henry (with whom, remember, David has not bonded; a classic parent/step-parent divide, one with strong Oedipal/Freudian overtones). Martin is less pleasant, less pure in his love, less physically perfect, less lovable — but his is Monica and Henry’s flesh, their progeny; having nearly lost him once, can they reject him in favor of something that runs off electric current, something manufactured? What would that say about them as humans, as parents? Yet David really loves Monica, and she has to choose between him and the rest of her very-human family.

Whatever the twists and turns of the future projected, the emotional consequences for all involved, but particularly for David, are as inexorable as they are logical. For me, one of the most haunting lines of the film is when Monica abandons David in the forest (another classic fairy tale touch), shouting cautions even as she does so, then pauses and says — as her final words to him — “I’m sorry I never told you about the world.” There’s a deep, wrenching stab at any parent’s heart, capturing the twin heartbreaks of forcing a child out into the world, away from the safety comfort of a parent’s arms (with a loss of security) and into all the pain and cruelty and tragedy that the child is likely unprepared for. David then embarks on a classic, almost Campbellian fairy tale quest, complete with faithful sidekick (Teddy) and rogue knight (Joe). He’s off to see the wizard (Dr. Know), to win the Sphinx-like riddling challenge and find out what he needs to know to become a real boy so that Monica will love him. But unlike the comforting, Disneyized fairy tales we’ve come to accept, this one holds to the hard truth — there is no blue fairy, David will never become a real boy, and Monica will never love him the way he loves her, the way he so desperately wants to be loved, as someone unique and irreplaceable — and this is where it is most wrenching. David’s hopes are raised to their highest peak by the mysterious message in the Dr. Know booth and its literal unfolding as he and Joe travel to the ‘ends of the earth’ — and then they are utterly smashed as he finds what lies at the end of his quest. His homicidal (robocidal?) rage at finding another, duplicate David is chilling and utterly consistent, calling to mind Henry’s seemingly-overblown worry much earlier in the film that “If he [David] is capable of love, then he is also capable of hate.” And then all his hopes are utterly crushed as he discovers that he himself is merely a simulacrum of Hobby’s own dead son David, and that he is being mass produced for human consumption. It leads to two attempts at suicide, one out of despair, and one based on obsession with his goal leading to indifference to everything else, trapped in a dark prison of his own making.

Some have objected to the third part of the movie, yet I think it was very much keeping in spirit with the old-style fairy tales and myths. It has the irony of robot survival and human extinction (brought on, with further irony, by a profound ice age). It has the resurrection motif, with acceptance into the company of gods or near-gods, not as an equal, but as an honored icon (much as Greek gods elevating heroic mortals to Olympus or into the constellations). And, as gods, they grant not what David wants but what they can — a single day with Monica (Clarke’s third law should be enough to deal with any quibble about DNA), with no competition from Dad or Martin or from the world at all. Again the Oedipal/Freudian overtones may seem a bit blatant, but it’s still utterly true to life, for a child of that emotional age, as to what heaven would be. And David’s choice — that he would rather have that one day, with the increased sense of irrevocable loss afterwards, than not to have it at all — goes to the heart of vast numbers of myths and tales about what is so essentially human. Indeed, David for all intents and purposes now is the human race. And as the day ends and Monica passes away, David — for the first time in his 2000-year existence — sleeps and dreams.

But does he wake?

— Bruce F. Webster, 2001.

Study: religion correlates with greater self-control

An interesting article in the New York Times on New Year’s resolutions discusses the role of religion:

[Dr. Michael McCullough’s] professional interest arose from a desire to understand why religion evolved and why it seems to help so many people. Researchers around the world have repeatedly found that devoutly religious people tend to do better in school, live longer, have more satisfying marriages and be generally happier.

These results have been ascribed to the rules imposed on believers and to the social support they receive from fellow worshipers, but these external factors didn’t account for all the benefits. In the new paper, the Miami psychologists surveyed the literature to test the proposition that religion gives people internal strength.

“We simply asked if there was good evidence that people who are more religious have more self-control,” Dr. McCullough. “For a long time it wasn’t cool for social scientists to study religion, but some researchers were quietly chugging along for decades. When you add it all up, it turns out there are remarkably consistent findings that religiosity correlates with higher self-control.”

As early as the 1920s, researchers found that students who spent more time in Sunday school did better at laboratory tests measuring their self-discipline. Subsequent studies showed that religiously devout children were rated relatively low in impulsiveness by both parents and teachers, and that religiosity repeatedly correlated with higher self-control among adults. Devout people were found to be more likely than others to wear seat belts, go to the dentist and take vitamins.

But which came first, the religious devotion or the self-control? It takes self-discipline to sit through Sunday school or services at a temple or mosque, so people who start out with low self-control are presumably less likely to keep attending. But even after taking that self-selection bias into account, Dr. McCullough said there is still reason to believe that religion has a strong influence.

Read the whole thing. The self-selection issue is an interesting one and has some theological implications (“we will prove them herewith”); it also ties into enduring to the end. On the other hand, we believe that Christ’s atonement gave Him the power not just to forgive us but to change our very natures — to make us better than we are. I think our start is quite simple — “God, be merciful to me, a sinner” — but we have to follow where the Lord leads us.  ..bruce..

“O My Father” sung to “Gentle Annie”

First, before you play the video below, go over to Keepapitchinin (one of my favorite LDS blogs) and read this post about an LDS missionary pamphlet printed over 100 years ago that is absolutely exquisite. Or, better yet, start the video, then go over to the Keepapitchinin post and scroll appropriately through the pages of the pamphlet while listening to the audio of the video:

The link to this video came from a comment by Jacob J (of New Cool Thang) to that post.  ..bruce..